Skip to main content

Devil in a Blue Dress by Walter Mosley: A review

The writing of Walter Mosley harkens back to masters like Raymond Chandler, Dashiell Hammett, and James Cain. The best of noir.

This book was Mosley's introduction of his character, Ezekiel "Easy" Rawlins. We meet Easy in 1948, three years after the end of World War II. He is a black man who had been raised in Houston and he had joined the army to fight Nazis during the war. He spent much of it sitting behind a typewriter, but when he had the chance, he volunteered to go with Gen. George Patton's Third Army into the heart of Europe. He fought his way through the rest of the war, including at the Battle of the Bulge, and returned home to Houston, but like many African-Americans in the South during that period, he found the atmosphere stifling and chose to move on. In Easy's case, he moved to Los Angeles, along with many others from Houston's Fifth Ward. As we meet Easy, we find that many in his circle of acquaintances in LA are former Houstonians.

I felt an immediate empathy for Easy Rawlins because of the Houston connection. His descriptions of neighborhoods and streets were places I hear about frequently. No doubt they've changed in the last seventy years, but they are still there. Moreover, there was the Patton's Army connection. My father, too, was in the Third Army and I grew up listening to stories about the Battle of the Bulge and the other lesser known battles that he fought in. As a result, Rawlins seemed very familiar to me.

Easy has just been fired from his job at an aircraft factory when we meet him. His white boss thought the uppity black man was not showing him sufficient deference. Without a source of income, Easy stands to lose the small house he is so proud of since he won't be able to pay the mortgage. 

I loved Mosley's description of that little house and lot, because it revealed so much of Easy's character. He takes pride in the order that he keeps in the house and the care that he gives the plantings around the house - the fruit trees, the perennials with their bright blooms, even the pot of African violets on the porch. This is a man after my own heart.

So, Easy has to come up with a way to earn some money fast. He goes for a drink in a friend's bar and in walks fate in the portly form of a white man dressed all in white. It seems that Easy's friend has paved the way for this man to offer him a job. The two talk and the man offers him a substantial amount of money to find a woman. She is a blonde named Daphne Monet and she has a real penchant for black jazz clubs and, incidentally, for black men.

And just like that Easy Rawlins begins his career as a private investigator.

He soon finds himself knee deep in a web of lies and murder, harassed by the police and threatened by sociopathic villains. Easy is not a violent man and he feels himself a bit out of his depth and needing someone to watch his back. He phones home, to Houston, and gets in touch with the girlfriend of one of his former running buddies, Raymond "Mouse" Alexander. He's not sure if Mouse will get the message, but just in time, he does turn up.

Whereas Easy is a pacifist, Mouse does not shy from violence and he likes Easy well enough to be just the back-watcher he needs.

Just like those earlier noir novels, this one's plot winds and wriggles around like a snake in hot ashes. So many complications, so many interconnections, and so many lies. It soon becomes clear that virtually none of these characters, besides the protagonist himself, is to be trusted.

Mosley's writing is really excellent and truly did remind me of the best of the noir masters that I have read. It makes me really happy to know that he has produced thirteen (and counting) more of these Easy Rawlins tales. And they are all just sitting there waiting for me to enjoy!

My rating: 4 of 5 stars


  

Comments

  1. Wow! I like Easy too! :-) I'll keep my eyes peeled for your reviews of the next installments in this series.

    ReplyDelete
  2. For some reason the only Walter Mosley I have read is Little Scarlet, a later volume in his Easy Rawlins series. His voice and style, while as you say it owes much to those early noir guys, is so distinctive that I remember the book vividly and feel like I have read lots of his books. I did see the movie made from this one. Denzel does a great Easy!

    ReplyDelete
    Replies
    1. I haven't seen the movie but I'm enjoying imagining Denzel in the role!

      Delete

Post a Comment

Popular posts from this blog

Poetry Sunday: Don't Hesitate by Mary Oliver

How about we share another Mary Oliver poem? After all, you can never have too many of those. In this one, the poet seems to acknowledge that it is often hard to simply live in and enjoy the moment, perhaps because we are afraid it can't last. She urges us to give in to that moment and fully experience the joy. Although "much can never be redeemed, still, life has some possibility left." Don't Hesitate by Mary Oliver If you suddenly and unexpectedly feel joy, don’t hesitate. Give in to it. There are plenty of lives and whole towns destroyed or about to be. We are not wise, and not very often kind. And much can never be redeemed. Still, life has some possibility left. Perhaps this is its way of fighting back, that sometimes something happens better than all the riches or power in the world. It could be anything, but very likely you notice it in the instant when love begins. Anyway, that’s often the case. Anyway, whatever it is, don’t be afraid of its plenty. Joy is no...

Poetry Sunday: Hymn for the Hurting by Amanda Gorman

You probably remember poet Amanda Gorman from her appearance at the inauguration of President Biden. She read her poem "The Hill We Climb" on that occasion. After the senseless slaughter in Uvalde this week, she was inspired to write another poem which was published in The New York Times. It seemed perfect for the occasion and so I stole it in order to feature it here, just in case you didn't get a chance to read it in the Times . Hymn for the Hurting by Amanda Gorman Everything hurts, Our hearts shadowed and strange, Minds made muddied and mute. We carry tragedy, terrifying and true. And yet none of it is new; We knew it as home, As horror, As heritage. Even our children Cannot be children, Cannot be. Everything hurts. It’s a hard time to be alive, And even harder to stay that way. We’re burdened to live out these days, While at the same time, blessed to outlive them. This alarm is how we know We must be altered — That we must differ or die, That we must triumph or try. ...

Poetry Sunday: Blackberry-Picking by Seamus Heaney

My mother was a farm wife and a prodigious canner. She canned fruit and vegetables from the garden, even occasionally meat. But the best thing that she canned, in my opinion, was blackberry jam. Even as I type those words my mouth waters!  Of course, before she could make that jam, somebody had to pick the blackberries. And that somebody was quite often named Dorothy. I think Seamus Heaney might have spent some time among the briars plucking those delicious black fruits as well, so he would have known that "Once off the bush the fruit fermented, the sweet flesh would turn sour." They don't keep; you have to get that jam made in a hurry! Blackberry-Picking by Seamus Heaney Late August, given heavy rain and sun For a full week, the blackberries would ripen. At first, just one, a glossy purple clot Among others, red, green, hard as a knot. You ate that first one and its flesh was sweet Like thickened wine: summer's blood was in it Leaving stains upon the tongue and lust ...