Skip to main content

Friends in High Places by Donna Leon: A review

Donna Leon has a new book in her Guido Brunetti series. It is the 28th book in the series. It opened on The New York Times best sellers list. 

It sounds interesting and I would really like to read it, but I am committed to reading the books of the series in order and I'm only up to number nine. At the rate I am going, it will be years before I can legitimately read number twenty-eight.

On the bright side, that means that I have a lot of entertaining reading ahead of me. My pleasure in reading this series has increased with just about every book I have read. That trend continued with Friends in High Places, published in 1999.

This book once again features the pervasive corruption that is so much a part of Venetian society, at least in Leon's fictional Venice. Commissario Brunetti receives a visit from an official from the Officio Castato, the registrar of buildings in Venice. He is there to determine if there was a permit for the construction of Brunetti's apartment on the top floor of a historical building. 

After the visit and Brunetti's inability to provide any documentation, nothing further is heard from the office for months and Guido and his wife Paola consider what levers of influence they might be able to pull to stave off hostile action by the bureaucracy. Will they have to bring in the big guns of Paola's father, the very wealthy and well-connected Count? Thus we see the irony that even the upright and very honorable Commissario is willing to employ extralegal means to protect his family and home. It's the Venetian way.  

Then one day, Brunetti receives a phone call from the Officio Castato official at his office, but the call is not in regard to his apartment. Instead, the official, Rossi, wants to discuss with him something that he has discovered, something that evidently involves illegality. The phone call is cut short and Rossi is supposed to call Brunetti back but he never does. Then Brunetti learns that Rossi has been found dead after apparently having accidentally fallen from some scaffolding outside a building. 

Brunetti has questions about the "accident" because he knows that Rossi was deathly afraid of heights and he doesn't believe that he would ever have willingly gone onto the scaffolding. He determines to investigate further and in so doing he opens the lid on an unsavory brew of official corruption, drug dealing, unprincipled money lenders, and petty thuggery. 

In seeking a resolution, Brunetti once again has the assistance of the indispensable Signorina Elletra, a wizard with the internet back when the internet was still in its infancy and when Brunetti himself was still learning how email worked. And once again we get to visit with the Brunetti family as they sit down each day to one of their simple but delicious meals, all described in loving detail. Good stuff! A fun read.

My rating: 4 of 5 stars   

Comments

  1. I feel the same way about some of the series I am reading. Glad to hear Donna Leon is still as popular as ever. What era are these books set in? It must be 20th century if the internet is coming in. But you are on book nine, so when was it when the series started?

    ReplyDelete
    Replies
    1. The first book was published in 1992 and this one in 1999. The time frame of the novels is (so far) contemporaneous with the time of publication.

      Delete
  2. I like Guido Brunetti. You'd be surprised to learn that the "Venetian way" is the way in other countries around the world. :-)

    ReplyDelete
    Replies
    1. Actually, I wouldn't be at all surprised. It's hardly unheard of in this country as well.

      Delete

Post a Comment

Popular posts from this blog

Poetry Sunday: Don't Hesitate by Mary Oliver

How about we share another Mary Oliver poem? After all, you can never have too many of those. In this one, the poet seems to acknowledge that it is often hard to simply live in and enjoy the moment, perhaps because we are afraid it can't last. She urges us to give in to that moment and fully experience the joy. Although "much can never be redeemed, still, life has some possibility left." Don't Hesitate by Mary Oliver If you suddenly and unexpectedly feel joy, don’t hesitate. Give in to it. There are plenty of lives and whole towns destroyed or about to be. We are not wise, and not very often kind. And much can never be redeemed. Still, life has some possibility left. Perhaps this is its way of fighting back, that sometimes something happens better than all the riches or power in the world. It could be anything, but very likely you notice it in the instant when love begins. Anyway, that’s often the case. Anyway, whatever it is, don’t be afraid of its plenty. Joy is no...

Poetry Sunday: Blackberry-Picking by Seamus Heaney

My mother was a farm wife and a prodigious canner. She canned fruit and vegetables from the garden, even occasionally meat. But the best thing that she canned, in my opinion, was blackberry jam. Even as I type those words my mouth waters!  Of course, before she could make that jam, somebody had to pick the blackberries. And that somebody was quite often named Dorothy. I think Seamus Heaney might have spent some time among the briars plucking those delicious black fruits as well, so he would have known that "Once off the bush the fruit fermented, the sweet flesh would turn sour." They don't keep; you have to get that jam made in a hurry! Blackberry-Picking by Seamus Heaney Late August, given heavy rain and sun For a full week, the blackberries would ripen. At first, just one, a glossy purple clot Among others, red, green, hard as a knot. You ate that first one and its flesh was sweet Like thickened wine: summer's blood was in it Leaving stains upon the tongue and lust ...

Poetry Sunday: Hymn for the Hurting by Amanda Gorman

You probably remember poet Amanda Gorman from her appearance at the inauguration of President Biden. She read her poem "The Hill We Climb" on that occasion. After the senseless slaughter in Uvalde this week, she was inspired to write another poem which was published in The New York Times. It seemed perfect for the occasion and so I stole it in order to feature it here, just in case you didn't get a chance to read it in the Times . Hymn for the Hurting by Amanda Gorman Everything hurts, Our hearts shadowed and strange, Minds made muddied and mute. We carry tragedy, terrifying and true. And yet none of it is new; We knew it as home, As horror, As heritage. Even our children Cannot be children, Cannot be. Everything hurts. It’s a hard time to be alive, And even harder to stay that way. We’re burdened to live out these days, While at the same time, blessed to outlive them. This alarm is how we know We must be altered — That we must differ or die, That we must triumph or try. ...