Skip to main content

The House of Silk by Anthony Horowitz: A review

I've written before about how Sherlock Holmes was my first literary love. I fell in love with him when I was twelve years old and I've never fallen out. Obviously, then, I am a sucker for any story featuring the great consulting detective.

It's not just me. There is still an extensive audience for Sherlock Holmes stories, and so the Arthur Conan Doyle Estate, for the first time in its long history, authorized a new Holmes novel. 

To complete the task, they chose Anthony Horowitz, who I knew chiefly from his excellent work as screenwriter for the television series Midsomer Mysteries, certainly one of my all-time favorite television mystery series. 

Horowitz channeled Conan Doyle very successfully, I thought. He wrote very much in the style of the master and remained true to the spirit of the originals, particularly in the relationship between Holmes and Watson.

The story, of course, is told in the voice of Watson who is writing it twenty-five years after the events. He is recalling the year 1890 and a fine art dealer named Edmund Carstairs who begs Holmes' help in unraveling the mystery of a man in a flat cap who seems to be stalking him. 

In short order, Carstairs' home is burgled and his family threatened. Then, inexplicably, the man in the flat cap turns up as a murder victim himself. Is the threat, then, ended?

As always in Holmes stories, things are not quite what they seem. The detective, of course, realizes this from the first and allows himself to be drawn further and further into what at first appears to be some kind of international conspiracy stretching from Boston to London. 

Along the way, he begins to hear whispers of something called the House of Silk, but no one, not even brother Mycroft, seems to know just what it is. What soon becomes clear, though, is that this House of Silk has tentacles that reach all the way into the highest echelons of the country's seats of power in politics and business and every other walk of life.

The whole thing becomes personal for Holmes when one of his Baker Street Irregulars is murdered in a particularly brutal way. He throws all of his superhuman powers of analysis and deduction into unraveling the mystery of how all the disparate crimes are linked together and just what is at the bottom of them all. 

Most importantly, he dedicates himself at great personal risk to bringing to justice the perpetrators of particularly heinous crimes. At this point, the bad guys should have just given up! Of course, they never do. 

It was a pleasure to once again be in the company of my old friends. Time has not withered them nor custom staled their wit and their passion for justice. 

The Conan Doyle Estate did well in selecting Anthony Horowitz to carry the torch. He has done them proud in this new addition to the Holmes canon. This was a fun read. Dare we hope for more?

Comments

Popular posts from this blog

Poetry Sunday: Don't Hesitate by Mary Oliver

How about we share another Mary Oliver poem? After all, you can never have too many of those. In this one, the poet seems to acknowledge that it is often hard to simply live in and enjoy the moment, perhaps because we are afraid it can't last. She urges us to give in to that moment and fully experience the joy. Although "much can never be redeemed, still, life has some possibility left." Don't Hesitate by Mary Oliver If you suddenly and unexpectedly feel joy, don’t hesitate. Give in to it. There are plenty of lives and whole towns destroyed or about to be. We are not wise, and not very often kind. And much can never be redeemed. Still, life has some possibility left. Perhaps this is its way of fighting back, that sometimes something happens better than all the riches or power in the world. It could be anything, but very likely you notice it in the instant when love begins. Anyway, that’s often the case. Anyway, whatever it is, don’t be afraid of its plenty. Joy is no...

Poetry Sunday: Blackberry-Picking by Seamus Heaney

My mother was a farm wife and a prodigious canner. She canned fruit and vegetables from the garden, even occasionally meat. But the best thing that she canned, in my opinion, was blackberry jam. Even as I type those words my mouth waters!  Of course, before she could make that jam, somebody had to pick the blackberries. And that somebody was quite often named Dorothy. I think Seamus Heaney might have spent some time among the briars plucking those delicious black fruits as well, so he would have known that "Once off the bush the fruit fermented, the sweet flesh would turn sour." They don't keep; you have to get that jam made in a hurry! Blackberry-Picking by Seamus Heaney Late August, given heavy rain and sun For a full week, the blackberries would ripen. At first, just one, a glossy purple clot Among others, red, green, hard as a knot. You ate that first one and its flesh was sweet Like thickened wine: summer's blood was in it Leaving stains upon the tongue and lust ...

Poetry Sunday: Hymn for the Hurting by Amanda Gorman

You probably remember poet Amanda Gorman from her appearance at the inauguration of President Biden. She read her poem "The Hill We Climb" on that occasion. After the senseless slaughter in Uvalde this week, she was inspired to write another poem which was published in The New York Times. It seemed perfect for the occasion and so I stole it in order to feature it here, just in case you didn't get a chance to read it in the Times . Hymn for the Hurting by Amanda Gorman Everything hurts, Our hearts shadowed and strange, Minds made muddied and mute. We carry tragedy, terrifying and true. And yet none of it is new; We knew it as home, As horror, As heritage. Even our children Cannot be children, Cannot be. Everything hurts. It’s a hard time to be alive, And even harder to stay that way. We’re burdened to live out these days, While at the same time, blessed to outlive them. This alarm is how we know We must be altered — That we must differ or die, That we must triumph or try. ...