Skip to main content

The Vanishing Half by Brit Bennett: A review

I have read so many glowing reviews of this book by my fellow bloggers this year, and now I read that it has been long-listed for the National Book Award for Fiction. So it was time for me to finally read the book and find out what all the shouting was about.

As all the reading world is probably aware by now, the book tells the story of twin girls, light-skinned African-Americans, who grew up in the little dusty town of Mallard, Louisiana, two hours north of New Orleans. The town of Mallard was founded by light-skinned African-Americans and had remained an enclave of their descendants through the years. Families had intermarried and their children had become lighter and lighter in skin tone until they could easily pass as White.

The twins were Estelle (called Stella) and Desiree. The light skin of their family had proved no protection when their father was dragged out of their house one night by five white men and lynched. The twins, who were only small girls at the time, witnessed the attack. Their father actually survived the attack and was taken to the hospital. When his attackers learned that, they went to the hospital and shot him in his bed. Of course, no one was ever prosecuted for the murder.

This left their mother, who was the housekeeper for a White family, as the only support for the family. Life was a struggle and when the girls were sixteen, their mother insisted they leave school and go to work. This was a particular blow to Stella who had a dream of going to college and studying math. Desiree, who was the more outgoing of the two, made a plan to run away to New Orleans, and Stella, who had never been separated from her sister, chose to go with her.

It was in New Orleans that their lives diverged. Stella was able to get an office job as a secretary by pretending to be White. Desiree worked in a laundry. Stella fell in love with her boss and he with her. When his job took him to Boston, she went along and eventually they married and moved to California. Desiree, on the other hand, married the darkest man she could find. He was a lawyer and they lived in Washington, D.C. where Desiree got a job with the FBI as a fingerprint analyst. (This was back in the 1950s when such analyses were still done by humans.)

Stella's marriage proved to be stable and relatively happy. They had a daughter who grew up to be a flighty blonde actress who was completely ignorant, as was her father, of Stella's racial background. Desiree's marriage ended unhappily. Her husband proved to be abusive toward her and their daughter, Jude. One night when she'd had enough, still bearing bruises on her throat from his abuse, she took her young daughter and ran. She had nowhere to run to except home and so she took her "blue-black" skinned daughter and went back to her mother's house in Mallard. The time was 1968.  

Desiree's husband tried to find her. He hired an investigator from New Orleans to look, but it turned out to be someone who had once had a crush on the teenaged Desiree. He refused to give her up, telling the husband he couldn't find her and saying he thought she had gone somewhere out west.

Jude had a difficult time growing up in Mallard. The residents were prejudiced against her because of her black skin and the children were cruel to her.  But she was whip-smart and a good athlete. She was a star runner in track and field and after high school was offered a scholarship to UCLA. At a party where she is working as a server, she meets her cousin, although she doesn't realize it at first. Then a woman arrives who looks just like her mother and she understands who the two women are.

As I read this book, I kept thinking of that old movie from the '50s called "Imitation of Life." It, too, tells of a woman passing for White. In fact, this whole storyline of "passing" seems to have quite a rich history in American literature and the visual arts, possibly because of the American obsession with racial identity. It's a theme that has come up time and again and almost always the stories end in tragedy. The person who is "passing" (usually a woman) is found out and ruined. Brit Bennett had an entirely different approach. Stella pays no price for her deception, other than the fact that she lost her mother and twin sister by turning her back on them. And even then, there is a kind of reconciliation in the end.

As for the two cousins, they eventually acknowledge their relationship and in all this wide country, they continue to bump into each other, the blonde one pursuing her acting career and the dark one going to medical school. (Coincidence does play a significant and somewhat unbelievable role in the story.) Moreover, Bennett never delves too deeply into the psychology of her characters. The narrative stays on the surface of things which gives it a rather flat feeling. That, I felt, was a weakness in the story. But a strong point was in her evocation of the town of Mallard with its own strict biases about skin color and the silences and secrets in family relationships. On the whole, my conclusion was that the book deserves the praise it has received.

My rating: 4 of 5 stars

 

Comments

  1. I had also heard good things about this book. The story sounds both engaging and important. It is Ron bad that the author came up short in the psychology of some of the characters. I also think that implausible coincidence can hurt a story like this.

    ReplyDelete
    Replies
    1. The implausibility of the cousins meeting just felt a bit jarring to me, although it wasn't a major flaw. It had to happen in order for the writer to tell the story she wanted to tell.

      Delete
  2. You make some good points about the pluses and minuses of the tale. It felt too bad Stella would turn her back on her family. Luckily Jude did not. It had a bit of everything in there hmm.

    ReplyDelete
    Replies
    1. It did have a little bit of everything - romance, mystery, thriller, tragedy. I didn't even begin to cover it all in my summary. It was a real page-turner and an enjoyable read.

      Delete
  3. When you talk of "all the reading world", Dorothy, I suspect you are talking of the American reading world. I had not heard of the book, nor had my wife who devours fiction, nor had two of my friends who are members of book clubs. It seems to be a poignant tale indeed and a sad reflection of the long legacy of racial discrimination that continues to this day.

    ReplyDelete
    Replies
    1. It has been often reviewed and much talked about here. And now a television series based on the book is planned. It is certainly a book that speaks to some of the issues of our time and of our history.

      Delete
  4. Glad you found it good. That flat feeling you mention has been an issue with some other readers. I can't find it right now but I read a wonderful conversation between two other authors who identified a "call and response" construction in the novel, alluded to Toni Morrison's way of doing that in some of her novels and shed new light on the book for me. If I find this thing, I will get it to you.

    ReplyDelete
    Replies
    1. Bennett credits Morrison as a major influence on her writing and one of the professional reviews I read (I think it may have been the Times.) also referenced Morrison's work. One could hardly have a better role model as a writer.

      Delete
  5. I agree that the cousins meeting seemed contrived but, for me, it didn't detract from how much I loved this one.

    BTW. I just started the audio of The Death of Vivek Oji which I am loving. The audio voices are fabulous.

    ReplyDelete
    Replies
    1. The contrivance wasn't a real impediment, I agree. It had to happen for the story to unfold as it did. I'm so glad you are reading (listening to) The Death of Vivek Oji. I'll look forward to your future comments on the book.

      Delete
  6. I have seen this one around quite a bit lately and will make time for it at some point. Wonderful review, as usual.

    ReplyDelete
    Replies
    1. I'll look forward to reading your views on the book.

      Delete
  7. Great review! I have this novel on my reading wishlist, but first I want to read Brit Bennett's novel, The Mothers.

    As an fyi, Brit Bennett will be participating in the Portland Book Festival virtually this year on Tuesday, November 10th. Check out the following link: https://literary-arts.org/event/pbf-bennett-washington/

    ReplyDelete

Post a Comment

Popular posts from this blog

Poetry Sunday: Don't Hesitate by Mary Oliver

How about we share another Mary Oliver poem? After all, you can never have too many of those. In this one, the poet seems to acknowledge that it is often hard to simply live in and enjoy the moment, perhaps because we are afraid it can't last. She urges us to give in to that moment and fully experience the joy. Although "much can never be redeemed, still, life has some possibility left." Don't Hesitate by Mary Oliver If you suddenly and unexpectedly feel joy, don’t hesitate. Give in to it. There are plenty of lives and whole towns destroyed or about to be. We are not wise, and not very often kind. And much can never be redeemed. Still, life has some possibility left. Perhaps this is its way of fighting back, that sometimes something happens better than all the riches or power in the world. It could be anything, but very likely you notice it in the instant when love begins. Anyway, that’s often the case. Anyway, whatever it is, don’t be afraid of its plenty. Joy is no...

Poetry Sunday: Blackberry-Picking by Seamus Heaney

My mother was a farm wife and a prodigious canner. She canned fruit and vegetables from the garden, even occasionally meat. But the best thing that she canned, in my opinion, was blackberry jam. Even as I type those words my mouth waters!  Of course, before she could make that jam, somebody had to pick the blackberries. And that somebody was quite often named Dorothy. I think Seamus Heaney might have spent some time among the briars plucking those delicious black fruits as well, so he would have known that "Once off the bush the fruit fermented, the sweet flesh would turn sour." They don't keep; you have to get that jam made in a hurry! Blackberry-Picking by Seamus Heaney Late August, given heavy rain and sun For a full week, the blackberries would ripen. At first, just one, a glossy purple clot Among others, red, green, hard as a knot. You ate that first one and its flesh was sweet Like thickened wine: summer's blood was in it Leaving stains upon the tongue and lust ...

Poetry Sunday: Hymn for the Hurting by Amanda Gorman

You probably remember poet Amanda Gorman from her appearance at the inauguration of President Biden. She read her poem "The Hill We Climb" on that occasion. After the senseless slaughter in Uvalde this week, she was inspired to write another poem which was published in The New York Times. It seemed perfect for the occasion and so I stole it in order to feature it here, just in case you didn't get a chance to read it in the Times . Hymn for the Hurting by Amanda Gorman Everything hurts, Our hearts shadowed and strange, Minds made muddied and mute. We carry tragedy, terrifying and true. And yet none of it is new; We knew it as home, As horror, As heritage. Even our children Cannot be children, Cannot be. Everything hurts. It’s a hard time to be alive, And even harder to stay that way. We’re burdened to live out these days, While at the same time, blessed to outlive them. This alarm is how we know We must be altered — That we must differ or die, That we must triumph or try. ...